1) A CIA disse a Bush, no Outono de 2002, que o Iraque não tinha armas de destruição maciça, revelou esta noite ao "60 Minutes", da CBS, o antigo director da CIA na Europa.
2) Na Time, o método de trabalho de David Lynch no seu último filme, Inland Empire (que só se estreou em algumas salas americanas e que será editado em DVD no próximo ano):
"I'd get an idea for a scene, write the scene, gather people together and shoot that scene," says Lynch. "I didn't know if the second scene would relate to the first or the third." This is where Lynch's decades-long commitment to transcendental meditation--which he documents in a new book, Catching the Big Fish: Meditation, Consciousness, and Creativity--came in handy. "Since I believe in the unified field, which unites everything, I figured some day I would understand that they do relate," he says.
3) A cocaína nunca largou a pop e agora entrou em força no rap, diz a New Yorker:
"Cocaine is again a fashionable vice. (...) Hip-hop has always been driven by an imperative to employ the most vibrant words possible; cocaine rap takes this command to an inventive extreme".
2) Na Time, o método de trabalho de David Lynch no seu último filme, Inland Empire (que só se estreou em algumas salas americanas e que será editado em DVD no próximo ano):
"I'd get an idea for a scene, write the scene, gather people together and shoot that scene," says Lynch. "I didn't know if the second scene would relate to the first or the third." This is where Lynch's decades-long commitment to transcendental meditation--which he documents in a new book, Catching the Big Fish: Meditation, Consciousness, and Creativity--came in handy. "Since I believe in the unified field, which unites everything, I figured some day I would understand that they do relate," he says.
3) A cocaína nunca largou a pop e agora entrou em força no rap, diz a New Yorker:
"Cocaine is again a fashionable vice. (...) Hip-hop has always been driven by an imperative to employ the most vibrant words possible; cocaine rap takes this command to an inventive extreme".
